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Gladys Hamilton (Seattle) i was told that I can migos Goodfellas free download, but I did not believe, especially the year 1990 New York. Michael Whitehead (Lexington) Martin Scorsese Goodfellas free download Bluray at high speed, and even in the USA Cambridge.
Goodfellas
Year:
1990
Country:
USA
Genre:
Crime, Drama, Thriller, Biography
IMDB rating:
8.8
Director:
Martin Scorsese
Robert De Niro as James 'Jimmy' Conway
Ray Liotta as Henry Hill
Joe Pesci as Tommy DeVito
Lorraine Bracco as Karen Hill
Paul Sorvino as Paul Cicero
Frank Sivero as Frankie Carbone
Tony Darrow as Sonny Bunz
Mike Starr as Frenchy
Frank Vincent as Billy Batts
Chuck Low as Morris 'Morrie' Kessler
Frank DiLeo as Tuddy Cicero
Gina Mastrogiacomo as Janice Rossi
Catherine Scorsese as Tommy's Mother
Storyline: Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy?
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Reviews
One the greatest movies ever
Martin Scorsese's Goodfellas is quintessentially one of the greatest movies ever. It is better than The Godfather in my opinion because of its real life approach to mob life. The film follows Henry Hill as he is brought into the mob life at a young age and how it brings him down at the end. The movie is just amazing to watch as it is like watching a documentary on the what is like to be in the mob. Adding to it are the amazing performances put forth by Ray Liotta as Henry,Robert De Niro as his friend Jimmy the Gent who is great in it and Lorraine Bracco who is very good as Henry's wife. But the performance worth mentioning is Joe Pesci's awesome performance as Tommy De Vito. His acting in it is one of the best performances I've ever seen. The film follows a time line from the 1950's to the 1980's and with it accompanies one of the greatest soundtracks ever put together. Scorcese has a knack for putting great soundtracks together and this is one of the greatest he's ever produced. Goodfellas is one of the greatest movies ever and one of Scorsese's all time best.
2008-01-19
One of the best Gangster movies of all time
Martin Scorsese is brilliant! Goodfellas is one of the best Gangster movies of all time. Each character better than next. Love this movie! It's the good old days when the mob ruled. Liotta and Bracco killed it and Pesci, need I say more....classic Pesci. Scorsese is the only director for a movie like Goodfellas. Unchallenged power, Glamour, De Niro.
2017-07-30
My favourite of all gangster flicks
Goodfellas by director Martin Scorsese is by far my most favourite gangster movie of all times. It's one of those movies that, despite its runtime of over 2 hours, I can watch again and again without ever getting bored at any time.

What it clearly sets it above other masterpieces of this genre like 'The Godfather' is that every scene gives me something. While many other movies of its kind tend to have scenes that get a bit tiresome or just aren't that interesting or entertaining, 'Goodfellas' succeeds to deliver top-notch entertainment until the end.

This is, of course, thanks to the extremely well written script and to the perfect cast. Ray Liotta, Joe Pesci and Robert De Niro who play the main characters give so good performances, that I could not think of any other actor to play any of those roles and the rest of the cast is equally good.

The movie has a perfect pacing which is also thanks to the narration of Henry Hill alias Ray Liotta. His voice accompanies us through the whole movie and is definitely a huge fun factor. He delivers his story so well that you virtually live through this movie with him. When he describes how he got into the organization and what it's like to be a wiseguy, you really comprehend and feel it.

Then there are the technical aspects of the movie. The camera work is brilliant with very long tracking shots and scenes without a cut which take you as an invisible spectator along through the scenes. And last but not least there's the music. Scorsese makes use of well-known pop music of that time, which really adds to the atmosphere as a whole.

In the end, 'Goodfellas' is my favourite Scorsese and gangster movie as well. There are very few movies (of that length and scope) that manage to deliver such a constant and high entertainment value from start to finish, but this is one that does.
2012-07-05
One Of The Best Movies EVER
Most of the time when i see a good movie I come to IMDb, and read some user comments. I like to read the negative ones, to see how STUPID people are. Well today after i saw this movie (i'm 20 years old, but never saw this movie before - shame) i wanted to see what do other people say about it. This movie deserves 11/10 stars. I really REALLY don't know why didn't it got an Oscar, but it's pity. Now 1 IDIOT user wrote "why do people rate movies like this so high?" The only thing i can say is: Dude, life is not only pink and furry, you have to look at the other side of life, the dark side. In this movie you will find a superb story of how was life back then, when the mobs ruled all. Violence is this guys problem... Dude, take a look around, and see for yourself. There is MUCH MUCH more violence nowadays then there was back then, sad but true. And at the end of the movie Ray really broke my heart: he ordered spaghetti and sauce, and he got ketchup with cheap noodles - NOTHING is like it was back then.. EVERYTHING is falling apart, we eat junk food, have to "wait in line", quality of products drop, no good music... (just compare the Mercedes cobra to a new E class.. cobra's simply wouldn't break down - Mercedes almost got bankrupted - new cars, in 5-8 years u have to change em) but lets get back to the movie. Another user wrote "WHY IS THIS BETTER THAN THE MATRIX? MATRIX IS THE BEST MOVIE EVER.." well i don't know what to say.. simply no comment. How old are you kid? 13? Matrix.. good movie, but Goodfellas is 1000x better. You will find action, good story, betray, love and all in this movie. Tommy would kill you if he would read that matrix is better lol. and the most important thing is, that it is TRUE STORY. Geee... i wish i could live in the 50-60's. real life, true friends. Watch this movie, and feel it. I just love the old mafia. So brutal, yet so catching. always together.. in good and bad..
2008-03-18
Scorsese's snappy, hip Mafia flick with Ray Liotta, De Niro, Joe Pesci and Paul Sorvino
RELEASED IN 1990 and directed by Martin Scorsese, "Goodfellas" tells the true story of Henry Hill (Ray Liotta) and his life through his teen years in the late 50s through his years in the Mob in the 60s-80s, covering his relationships with his wife (Lorraine Bracco), his mistress (Gina Mastrogiacomo), his Boss (Paul Sorvino) and his partners Jimmy Conway (Robert De Niro) & Tommy DeVito (Joe Pesci) in the Italian-American crime syndicate in the New York City area.

I'm not big on mob movies, but I have to admit that "Goodfellas" is consistently entertaining and delivers a potent message on misguided loyalties, greed and the folly of getting involved in organized crime regardless of its "great perks." In the long run it ain't worth it. I couldn't wait till the arrogant little POS Tommy (Pesci) bought the farm. The feminine cast is rounded out by Debi Mazar and Welker White. Even Samuel L. Jackson shows up.

THE MOVIE RUNS 146 minutes and was shot mostly in the New York City/New Jersey area, but also Chicago & Tampa. WRITERS: Nicholas Pileggi with additional stuff from Scorsese.

GRADE: B+
2017-09-13
Couldn't bring myself to watch it in one go
I am really sorry but this iconic movie is unbelievably flat. I know this movie means a lot to many people. I was pretty disappointed when I saw it. I forced myself to see this movie in 4 stages just because It had a rating of 8.7. I couldn't sit and see it all at once. I know it is based on a true story, but it would have been much more exciting if the narrator dies at the end to break the monotony of the story line. Everything about the script was predictable. I raise my hat to Joe Pesci's performance and the exceptional skills of Martin Scorsese ...Other than that, I can't find a reason to give a rating higher than 6. May be it is a just me seeing this movie in 2016 i.e. 16 years after its release...
2016-01-21
The Ultimate Gangster Film
Goodfellas is the type of movie that has it all. Action, thriller, suspense and even some comedy thrown in makes this epic film the best of it's kind. The pace of this film is brilliant. There is no dull scene, no fillers and it leaves you completely entertained from start to finish. Joe Pesci is absolutely amazing and deserved the Oscar no question. You don't even have to be a person that likes gangster films to appreciate Goodfellas. If you were one of the people that found The Godfather to be a little slow or boring at times, I highly recommend this film as a substitute "mafia" film. You will definitely get your money's worth if you rent this one. Best film of the 90's without a doubt.
2005-08-04
A masterpiece (spoilers)
The opening to Goodfellas – the murder of Billy Batts – shows the beginning of the end of Henry Hill. Up until that point, despite the thieving and the violence, everything is rather light-hearted. There's a sense of solidarity amongst the criminals. But once Batts is murdered, infighting, greed and addiction take over. The life will get you in the end.

But the opening scenes are great at establishing the allure of being a gangster. After all, as the movies have always shown, it's a very seductive world. I mean, who wouldn't want to be able to thumb their nose in the face of the law if they could get away with it? Therefore it's totally right that the film shows you all the fun aspects of this criminal life. And at the beginning the camera focuses on all the accoutrements of gangsterism – jewellery, shoes, cars etc. They're almost like movie stars.

And at the beginning the violence is even intended to seduce you. There's a great bit where Henry's postman is threatened with an oven to make sure he doesn't give any school letters to Henry's parents. The way it's shot and scored makes it seem like something of a lark. You're asked to acknowledge and respect the power and audacity of these guys. And the icing on the cake is the final-freeze frame of the terrified postman's face – these guys control life and death; if you don't respect them you're going in the oven.

But freeze-frames occur frequently in the early part of the film. There's a powerful shot where Henry's dad is beating him with a belt and it's stopped right in the middle of the whipping. It makes the beating seem even more violent than it already is and it makes you understand and identify with Henry's rebellion; soon no one will be able to do that to him again. However, the most famous freeze-frame in the film is when Henry sets the cars on fire. The image is held as Henry makes a Christ-like pose with flames behind him – he's finally in the life; welcome to hell.

And another early scene I like is when the young Henry gets pinched. He thinks the guys will be mad at him for getting caught, but because he keeps his mouth shut he's welcomed from the court like a conquering hero. And the scene even ends with another freeze-frame. It might as well be a family portrait.

But the good times extend into Henry's adult life. He steals trucks, makes lots of money and even falls in love. And this leads to another great scene – the long Steadicam shot when Henry takes Karen to the Copacabana. This is her seduction. This is when she is seduced by the life. And another seduction is the scene where Henry pummels one of Karen's neighbours. He's supposed to have touched Karen so Henry rearranges his face with the butt of his gun. But although it's incredibly violent and although the sound effects make you wince, you can see why Karen would be turned on. How many other men would do this for her? How many other men would protect her in such a brutal way? Not many.

However, like I said at the beginning, Billy Batts is when everything begins to go downhill. From that point on the murders become more frequent and collective greed is overtaken by personal greed. But I do have to say that the Batts murder is my favourite scene. The dialogue and the timing between Joe Pesci and Frank Vincent is outstanding and the beating has so much emotion. You kind of get whipped up in it yourself. You can feel what it must be like to get your on back on someone you hate. And the choice of music ('Atlantis' by Donovan) is perfect. It raises the scene to another level.

But Scorsese's choice of music is always spot-on. The other musical highlight has to be his use of the closing music in 'Layla'. It's a beautiful piece, which makes it work well with the grisly murders it shows – the images kind of show an end of an era, which, what with the music, lends the whole sequence a strange kind of romanticism. And it also works well because the emotion of the song and the final piece of music go hand in hand with what Jimmy (De Niro) is feeling at the time – the song and the music is about yearning for someone and then having that love fulfilled, and Jimmy is beside himself with pleasure that Tommy (Pesci) is being made. He thinks his dreams are finally coming true.

Unfortunately, though, that sequence is when the real nightmare kicks in. After this, Henry becomes an addict and screws up so bad that he has to betray his friends. And the sequence that shows the day of his arrest is rather amazing. Again Scorsese proves himself to be a master of using music to emphasise emotion and mood, and it's shot in such a way with zooms and fast edits that you feel as strung out as Henry. It's coke film-making…but in a good way.

And I also like the final scene between Jimmy and Karen. With smiles and promises he tries to whack her, but she gets scared and manages to get away. It's a good way of showing what's wrong with this life without moralising – in this life you can never truly trust your friends; and who really wants to live like that?

But at the end, despite everything, you also get to see that Henry misses his life. And although it's supremely arrogant of him to say that he gets to live the rest of his life like a schnook, you sort of know what he means. If only he and his pals weren't so damn greedy they would have had it made.
2006-05-06
A sharp-edges gangster film that has a script that is one the all time best. One of the greatest films of all time
What makes Goodfellas such an enjoyable film for me would have to be its hard hitting, witty dialogue. If I have to pick a film that is a winner script-wise, Goodfellas would definitely be one of the top contenders. With a script like this, there are many lines that are good enough to be quotable, and it's very long list to choose from. And the desired effect is not only achieved by the script, it had to be the select number of people who be up to the task at bringing out the sharp wit of the characters and we have a cast that really shines in that department.

With Ray Liotta playing Henry Hill, his performance in letting you in on the character by putting you through his perspective with his narration alone is enough to pull you in and become captivated by the film. And as he pulls you into his world, we get introduced to numerous criminals he gets mixed up with such as Tommy DeVito played by Joe Pesci, who he plays with a lot of intensity that brings out a lot of the brutal elements in the film. When on screen, you can always sense something is going to go wrong, and what Pesci brings to this character is deserving of all the praise.

Every character evokes that sense of intensity that really gives this film its distinctive edge, but one person I seem to be captivated the most by in the movie would have to be Robert De Niro's performance as Jimmy Conway, who is crazier, but in his own more methodical way that is a lot more subtle than Tommy. What Bob brings to the table is something special that again shows how versatile he is as an actor and gives me another reason as to why I think he is the greatest actor ever. He may not be in every scene, but he is the foundation of the movie for me.

These are all great performances that help to bring out this story and to know that these are true events makes this film even more insane than it already is. While The Godfather felt more graceful and has placed a heavier emphasis on subtlety to make the violent scenes have more impact when they happen unexpectedly, Goodfellas is sharp all around its edges. Whereas The Godfather was violent, it offered insight into the human aspects of the criminals and the reasons they murdered for business. That sense of sentimentality is nonexistent in Goodfellas and offers a bare bones, raw insight into the crooked lives these criminals were leading, and with that, you get a story that is sharp like a knife that when it hits you, you'll know you'll never forget it.
2013-05-29
Innocent To Goodfella To Schnook.
A fine tribal study of modern gangsterism in New York City. There are one or two allusions to being a "made man" but the words "Mafia" and "Cosa Nostra" never appear, though all the main figures are Italian, observe Italian moral codes, and occasionally lapse into the language of the Old Country. If you really want to be a member of the Goodfellas, it's not enough to be simply part Italian. You need to be ALL Italian, with traceable ancestry to the motherland, preferably Sicily.

Everyone except some Federal Agents are corrupt. The wives know what's going on and are often complicit, though they have little to say about business decisions. They're satisfied with the solidarity of the larger family, the special parking places, the secret entrances to the Copacabana, the respect shown themselves and their well-groomed husbands, and the general opulence of their life styles. The girl friends enjoy many of the same privileges but are mainly the subject of jokes, which wives and children are not. Well, some are Madonnas and some are whores.

The cops are partners in crime, whether the gangsters are on the streets or in prison. They become your major domos for a few cartons of cigarettes and an occasional big bill tucked into a shirt pocket. Your first jail term turns into a rite of passage, and you're given a celebration before you're packed off. The men clap and cry out "Your cherry is broke now." Prison itself is not a bad place if you're a wise guy. No one would dream of trying to rape you. You live with friends and share elaborate dinners and good wines with them.

There are only two problems; one is interactional, the other moral and economic.

As for the interactional problem, you can never really tell whether someone will become a "rat," not even if you've known him all your life. From the point of view of a protagonist like Henry Hill, whose story this is, it's very bad to be a rat instead of a stand-up guy. On the other hand, it's much better to be a rat instead of a dead guy. Severe beatings are common, even for men who are no more than irritating or even for innocents like mailmen. And when an important deal is at stake, whacking is necessary.

Whacking is also applied to men who unwisely insult others, because this is a culture of honor. It's like the Old West without Wyatt Earp. "When you call me that, smile." And sometimes smiling isn't enough. The derision must be clearly couched. Half a couch may not do. Personal affronts call for a passionate butchery, but business transactions are cold blooded and maximally effective.

This social system is real enough. In certain bars in New York and New Jersey I was unwise enough to make some joke about Mafia hangouts and received warnings. And in Little Charlie's Restaurant on Kenmare Street in Little Italy, two tables were always kept empty in case some local businessmen decided to drop in unannounced.

The movie is told from Henry Hill's (Ray Liotta's) point of view and he narrates most of it. Hill was half Irish and married a Jewish girl but was accepted, within certain limitations. That brings up the moral questions built into the film. These guys are friendly and generous to each other. But who pay for all that reckless spending? You and I. The gang isn't a charitable organization. Every time we buy something or rent an apartment, it costs a little more because of them, and they contribute nothing except mutual support.

It's an immoral subculture in which the goals of society -- respect, wealth, material satisfaction, friendship -- are accepted, but society's means of achieving those goals -- following the rules, upholding the law, respecting the rights of strangers -- are rejected. The sociologist Robert K. Merton called them "innovators" and that's what they are. They invent and follow illegal rules for achieving society's goals. From an ethical perspective, it's a much better story than Francis Ford Coppola's "The Godfather" series, which was an apologia for the Mafia, portrayed as a neighborhood organization that simply fills certain control functions that the regular police will or can not. No one was killed in "The Godfather" unless he was a coward and a traitor and deserved it. In "Goodfellas", a kid gets shot through the foot for being slow in delivering drinks to a table, and the incident is treated as a stupid joke. No one even TRIES justifying the act. When the same kid is later slaughtered for a resentful remark, the dead body is treated as a nuisance.

The acting is unimpeachable, and so is the production design. You can almost smell the cigars, the perfume, the marinara sauce cooking in the large pot on the stove. (Everybody eats a lot in this movie.) You should definitely see it if you haven't already. It's naturalism is convincing and there is no Marlon Brando to sympathize with.
2012-07-26
Roland J. Tran (Saint Paul) i was looking for a movie free Goodfellas download, as 720p to download it in 1990, one of the first Martin Scorsese Tallahassee. Clara J. Lovett (Buffalo) i love how they play Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino, Frank Sivero, Tony Darrow, Mike Starr, Frank Vincent, Chuck Low, Frank DiLeo, Henny Youngman, Gina Mastrogiacomo, Catherine Scorsese, Charles Scorsese from the movie director Martin Scorsese 1990 Miami.
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